John Waite - Missing You (1984)
- 80's score: 1.72
"Missing You" is a song co-written and recorded by English musician John Waite. It was released in June 1984 as the lead ...
"Missing You" is a song co-written and recorded by English musician John Waite. It was released in June 1984 as the lead single from his second album, No Brakes. It reached number 1 on Billboard's Album Rock Tracks and on the Hot 100 as well as number 9 on the UK Singles Chart. "Missing You" was the only record from 1984 to spend a single week at the top of the Hot 100. The song was nominated for the 1985 Best Pop Vocal Performance Male Grammy Award.
Waite re-recorded the song with country/bluegrass artist Alison Krauss which appeared on her album A Hundred Miles or More: A Collection, and released it to country music radio in 2007. The re-recording peaked at number 34 on the Hot Country Songs chart. The original recording has been featured in the films, Selena (1997) and Warm Bodies (2013), the video game Grand Theft Auto: Vice City, and the TV series Miami Vice (from the episode, "Heart of Darkness", originally aired 28 September 1984), as well as in the comedy sitcom Rules of Engagement, in a scene at the diner where there is a flashback of Timmy and Russell's best moments together (season 7, episode "A Wee Problem", originally aired on 6 May 2013). It also appears in the film 22 Jump Street (2014) during the montage where main characters Schmidt and Jenko begin to miss each other after going their separate ways following a fight.
The song is mentioned by Sheila Weller as describing O. J. Simpson's obsession with Nicole Brown Simpson and is the inspiration for the title of her book Raging Heart.
The music video was written/directed/produced by Kort Falkenberg III and was actually filmed in Los Angeles during the summer of 1984. Although some people understandably have mistaken the street scene for New York City or London, the director intentionally looked for a location in downtown Los Angeles where there was "no Stucco" on the walls which would have been a dead giveaway that it was shot in the southwest U.S., as he wanted it to look neutral and not be identifiable as any particular city.
To start the clip, John Waite is sitting in a chair, and after seeing a picture of a woman with whom he is still in love, he, frustrated, slaps the lamp above him causing it to swing back and forth and begins to sing the song. When he opens his bedroom door, a woman playfully jumps into his arms and they embrace falling back onto the bed. Later, Waite watches through a crack in the door as the woman angrily throws her clothes into her suitcase. She pushes through the door to leave him and it hits him in the face full force as she storms past him, away. Pained at her emotional and physical assault, he sadly remembers being at one of her photo shoots. Trying to be cool, Waite leans on a lighting stand but misses and stumbles. Seeing this, she lovingly laughs at his fumbling. Back to the present, Waite tries to call her from a phone booth, but when the woman finally picks up the phone, her only connection is to a dangling phone in an empty phone booth. Waite is gone. He laments about "I ain't missin' you at all" as he walks down the city street only to see a picture of the woman on a newspaper. He goes into a bar. There, an older woman slides onto the stool next to him and tries to flirt with him, but for sheer sorrow shows he is not interested and then goes home again still pining for the woman. He tries again to call her but his anger and frustration gets the better of him and he smashes the phone into pieces. When she finally comes to his door and knocks, he doesn't answer, as he doesn't hear her knock over the music playing on his earphones he had put on just before her first knock. She leans against the door gently touching it and, with a deep breath, she turns and leaves as tears flow down her face.